|
It seemed like such a simple thing: to record a new album.
And
since we all know any fool can make the simple complicated,
you can imagine what those extraordinary fools in The Rockin'
Chair! accomplished.
The
idea to make a new record came soon after playing a great show
at the Stork Club, one that had the crowd drop their mouths
in awe, the headline band nervous and dismayed about following
such savage musicianship and the bartender still demanding $3.00
each for a beer. That night ended with a raucous celebration
on the streets of Oakland long after the club closed.
After
the cops gave back most of the band's equipment [still missing:
Bill's "Get Out of Detox Free" card, Joe's mantrap
and tranquilizer gun, six or seven Japanese bondage mags that
Tommy had stashed in his bass cab and Ray's favorite grapefruit]
and the Stork Club stopped returning their calls, the boys thought
it might be wise to lay low for awhile and with all this time
suddenly on their hands, they decided to embark on the good
ship Recording Session, fraught with peril though it may be.
Songs
were no problem - Bill and Joe had hacked out some twisted new
tunes and the band had reworked some classic older numbers,
so that there were eleven songs ready to print to tape or to
disk, as the case may be.
The
first big fight that these idiots had was over the name of the
record. Several late night "discussions" among the
band nearly ended in broken glass, spilled beer and helicopter
fly-overs, but after thrashing through barely punny gems like
"Flash In the Bedpan," and totally retarded pop junk
culture slurs [CLICK
FOR PICTURE] a secret ballot was held, and Bill's choice
- "Fat Slacks" - won after receiving the only vote
[hey, it was off-year, the choices totally bored the electorate
and it rained that day - a 25% voter turnout was normal. Think
of it as democracy in action].
Three
months into the process, the boys realized that most of what
they knew was wrong and junked all the work
they did so far. And since Ray hated recording and since most
of the work was his, he -shall we put it politely - lost his
mind. Much to his wife's chagrin, he began to hoard grapefruit
with a vengeance.
|
|
THE
MYSTERY OF GRAPEFRUIT REVEALED!
Ray's
obsession with grapefruit began in the bleak hills
of Idaho, when he had the traumatic experience
of watching them swim upriver to spawn and die.
|
|
But
the recording soon became a better thing and even Ray's eyes
stopped twitching after awhile. It might of been the Mickey's,
but he was soon back to his normal [?] self.
After
all the basic tracks were laid down again in a more professional
manner, the boys found out they had a shot of getting a track
on a promo CD the violent video game magazine Bill worked for
was compiling.
In
a drunken fit, Bill wrote a techno song [?!?] about the staff
of the mag and their crude japanime mascot. The song, of course,
screamed for a Japanese cute-girl voice singing lead and the
band knew there was only one girl for the job: Aya-chan!
|
|
Aya-chan
: The Secret Weapon
To
finally complete the recording of
"[ I Love] Banzai Chibi Chan",
the boys called all the way to Tokyo
for the help of Aya-chan, one of Japan's
top popstars.
Domo
Arigato, Aya-chan-sama!
|
|
|
After
a harried series of late night phone calls, emails and rescheduled
recording dates, Aya-chan finally pulled into Richmond, right
off the redeye from Narita. And because her return flight left
at 8 pm that same night, Bill and Joe had less than six hours
to get the perfect performance from this often-finicky idoru.
The
resulting pop monster speaks for itself and Aya-chan was so
happy about finally meeting The Rockin' Chair! [a legend in
her own mind, too], that she promised to fly back and perform
with the boys whenever she could.
But
good things never last long do they?
You
gotta remember, these boy is old. And sometimes old bodies give
way. Without sounding sappy about it, first Joe, and then Bill,
were struck with weird arm ailments that made it impossible
for them to play.
Guess
it was time to work on vocals.
On
some long lost demo tape, the band had cajoled some neighborhood
kids into singing back-up schoolyard vocals on "Loser."
Since it seemed to work that time, they rounded up a new bunch
of kids into the studio in hopes of duplicating genius.
The
first new session lived up the song's name and the enduring
truth that children are best neither seen or heard, but stuffed
in boxes or sacks and left in closets.
Ray
somehow hypmotized his daughter Amy to convince three of her
friends to come to the studio and sing. [Yeah, he hypmotized
'em alright: he promised them he'd take them to Burger King
for lunch after they did a good job and then welshed on the
deal.]
|
|
Those
Damn Kids...
| Is
is really so bad to lie to kids? I mean,
we tell 'em about Santa Claus and democracy,
don't we? I don't think the damn kids woulda
sung so good if Ray didn't hypmotize 'em
about going to Burger King after the studio,
do you? |
LEFT
TO RIGHT: ALEX, JAQUIE, AMY AND ANGELA
|
|
Bill
proved an adept taskmaster and the girls had their tracks down
perfectly in almost five hours. The perfect plaintive whiny
sound you hear on the final track is the combined effort of
thirst, fear and disgust at Joe's gibbering in the corner, faint
from lack of oxygen and Sierra Nevada.
By
this time Bill and Joe were practically living together in studio,
and even if their collaboration produced a warped sort of genius
[not to mention a really cool glow when the lights were out],
it was a volatile mixture and it was destined to blow.
It
was shortly after Joe lost his job on the charter boat "Mowog
Gershwou." He was in charge of supplying sandwiches and
bait to the day passengers, and for cleaning out the offal bins
when the boat docked. For someone who could almost use a fork,
it was a good job.
|
|
TRUE
FACT : Raised By Sharks
| Joe's
dramatic capture off the coast of Cape Cod
was first detailed in the March 17, 1976
issue of the Weekly World News. President
Carter posthumously presented special commendations
to the scientists killed during the expedition. |
|
|
Because
the mayor of San Francisco was expanding his homeless shelter
outreach program, it became more and more difficult for Joe
to fulfill most of his contract. The skipper of the "Gershwou"
had no choice but to let him go.
One
night while recording a complicated keyboard part,Bill made
an honest, but inopportune remark about Joe's attempt to play
the part. Dizzy from lack of peanut butter and offal sandwiches,
Joe snapped his teeth viciously close to Bill's hand and threw
lit cigarettes at Bill's head, screaming in that self-pitying
way that Bill didn't understand him or appreciate his existence.
Time
for a road trip.
 |
The
Man Behind the Boards
In
another life, Bill tweaked code and crunched
numbers for the telephone company, and was
in total control of computers bigger than
your house.
That's why he's the one that runs the complicated
machinery in the studio and he does it right,
most of the time... |
|
|
Since
all of the boys shared a love of things that fly, shoot flames
and explode and since the 4th of July was getting close and
since Bill bought a new truck and since they all needed a break
from the murky and maddening recesses of the Billy Club, it
was agreed they would take a break: Bill and Ray would make
a high speed run to Idaho for things that fly, shoot flames
and explode and Tommy would take Joe to Chinatown, for braised
duck feet and sea cucumber.
OK,
you can wrinkle your nose in disgust, but Joe and Tommy got
the better of the take a break deal. You see, excepting for
actually procuring things that fly, shoot flames and explode,
Bill and Ray's trip to Idaho was like stepping into a lost circle
of hell.
Ever
see that Hitchcock movie, "The Birds"? The one where
all these birds savage up a whole town, swarming and pecking
the poor townie bastards to death? Well, it was kinda like that,
except instead of birds, it was black flies, millions of black
flies ready to jump your ass and try to fly them selves up any
open orifice in your body.
The
locals said it was the weather, something about a wet spring
and an Injun curse, but since Bill and Ray's ears were so clogged
with flies, it was hard enough for them to realize the locals
were even speaking English, let alone being able to understand
abstract scientific concepts.
As
quickly as they could, they loaded up enough firepower for a
spectacular 4th of July showdown, climbed back in the truck
and blew out of town, swatting vainly at the two or three thousand
stowaway flies that wanted to go see Berkeley.
Just
over the Nevada border, they saw a truck stop with a car wash
and pulled in. After vacuuming their hair, clothes, noses, ears,
hats and the truck, and scraping black fly remnants off the
windows, they thought it was best to forget lunch, and started
back home.
|
|
Our
Weary Travelers
| Bill
and Ray stumble out of the truck stop men's
room, after carefully swabbing black flies
out of places they refuse to discuss. Both
agree that Idaho in black fly season is
worthy only for the French. |
|
|
The
4th was a neighborhood success. Nothing caught fire, the cops
were busy with the kids eight blocks over with the AKs and star
shells and there was enough left over for another dozen or so
random drunken instances of midnight mortar fire whenever the
boys were in the mood.
But
there were better things to be dreamed of, and one of them was
finishing the damned record. Bill, Tommy and Joe slogged through
the summer adding final tracks. Ray came by occasionally to
drink Joe's beer and brag about his grapefruit. Richmond got
hotter, the work slowly progressed and the band finally began
the tedious stage of final mix.
In
between mixing sessions they endured days of photo shoots: for
the CD cover, for John's film, for the website, and for the
CD cover again. The final cover shot was snapped by Bill, with
Tommy as the model, inside Ray's 65 Falcon wagon. The
back cover is not Drew Carey or Bill's dad or Joe before facial
liposuction, but a clip art photo, showing that the Rockin'
Chair!'s chosen esthetic philosophy is not in any way original,
merely a historic continuation of excessive consumption, practiced
by has-beens and losers for centuries.
In
late August, the CD was finally, totally and completely done,
and got shipped off to the good folks at BMMI
for pressing. Hate to say it, but your dollar does go farther
in Canada! Their TV sucks, and some of them speak French, but
the boys got a great deal with the exchange rate and the final
product was worth the wait.
While
the pressing was going on, the band packed up the recording
equipment and cleaned the Billy Club of the collected debris
of 11 months. It was during this cleaning that Ray was reunited
with his daughter, Amy, who was buried in a beer can avalanche
months before. He hugged her and they've been stuck together
ever since. When will the beer companies realize that beer gets
sticky in its later stages? The horror!
So
that's the truth, the whole truth and nothing but the truth,
as Bill Clinton would see it, anyway. And now you've hopefully
got a copy of Fat Slacks and are ready to listen to the music
that beer, flatulence and old age has made possible. Enjoy!
|
|
A
Word From Our Sponsor
|
OK,
since you've read the tragic story, you
got to pity these guys. They really need
your support. So, when ya gonna buy a
CD? There's beer just screaming our names!
CLICK
HERE TO BUY CD
|
|
|
|